2013
Fikile Mqhayi is a South African contemporary painter known for his expressive works that often reflect social and political issues. Born in Gugulethu township, Cape Town, South Africa, Mqhayi graduated from the Michaelis School of Fine Art at the University of Cape Town in 2011. His background is diverse; he is a former member of the Guguletu Youth Brass Band and has experience in the film industry, which perhaps influences his dynamic approach to painting.
Mqhayi's art is characterized by its use of bold colors and expressive forms, often engaging with themes of vulnerability, poverty, and the human condition, particularly within the context of South African society. His paintings have been showcased in numerous group exhibitions both locally and internationally. Notable among his works are pieces like "Women Abuse," "Humble," and "Vulnerable Community," which he uses to address social issues through his art. His work has been sold through platforms like Artmajeur and Singulart, where he is recognized for his expressive style within the realm of painting.
Mqhayi's artworks often use acrylic on various mediums, including wood and canvas, showcasing his skill in creating both intimate portraits and larger, more abstract pieces that comment on societal issues. Titles like "child without a name," "world's marks," and "Pandemic winds" reflect his engagement with current global and local challenges, including the impact of the COVID-19 pandemic on communities.
He currently resides and works in Delft, Cape Town, where he continues to produce and sell his art. His pieces are included in collections like the Nando's Collection through the Spier Arts Trust, indicating his recognition in the art scene. Mqhayi's commitment to his craft is evident through his participation in exhibitions like his solo show in Helsinki in 2017 titled "Khayelitsha kapkspunkilaisia" and at the AVA Gallery in Cape Town in 2018 with "Assemblage."
Fikile Mqhayi's work not only demonstrates technical proficiency but also a deep social consciousness, making him a significant figure in contemporary South African art.